Archive
OLGA ROEHL. A DREAM OF WHITE LILIES.
- - 10.07.2016
OLGA ROEHL – an artist, a doll artist, a sculptor, a designer, a teacher of visual and applied arts; a member of the Association of European Doll Artists (VEP), the Canadian Doll Artists Association (CDAA), the National Institute of American Doll Artists (NIADA), the Creative Union of Russian Artists (CURA) .
Olga Roehl was born on 28 December 1967 in Daugavpils, Latvia. Since an early age she knew she will be an artist. After graduation of Rēzekne School of Arts (Latvia) she studied at the Moscow School of Design (doll artists class) and, later, when already being an experienced artist, she graduated the Daugavpils University as a bachelor in arts. She has also participated in various art classes and professional training courses. Viktorija Valujeva VERSATILITY
- - 03.07.2016
How to show something that does not exist?
How to illustrate time?
This idea clearly appears in things affected by ravages of time, as in the beginning they all are new, clean and bear no signs of time-related impact. This is the way how the beauty of time mirrors in everything. Thus, time exposes itself on any surface, such as skin where it creates wrinkles, or on rocks where it builds geological structures, or in architecture where it ages walls. To emphasize the process of changes, I use an abstract form of sudden changes by creating dynamics of an event. Disappearing from canvas, then as if appearing again, strokes – illusions combine in a whirlpool of subconscious impressions. This allows displaying the non-existent time of changes. Trying to show evanescence of feelings and versatility of emotions, telling about unimaginable forms, the transience and the fickleness of the surrounding is emphasized. Because it is a combination of different textures, that influence the changing interaction between planes. The viewer is drawn into a game of emotions, which makes us think about the incorporeity of time. Sometimes fickleness of emotions forms the history of canvas layers, from confident brush strokes to deliberately flowing lines. An artist is the one who determines when his or her painting is finished. Relying on the consciousness of mind, a distance between the unconscious and the conscious is formed, allowing us to see where the time is reflected. Thus, through self-examination and recognition of versatility, this series of paintings was born. A kaleidoscope of impressions and strength in versatility – this is what gives an opportunity to think about the sense of the world in time and how it is reflected in everyone’s life. Tomass Fēnikss WHERE IS THE EXIT?
- - 03.07.2016
Tomass Fēnikss. WHERE IS THE EXIT?
Tomass Fenikss (real name Gatis Grasmanis, 1967-2006) during his short life created more than 600 paintings, most of which were completed between 2000 and 2004. A small part of his works, head compositions created in the artist’s striking form and expression were chosen for the exhibition “Where is the exit” at the Mark Rothko Art Centre. UNTITLED. Latgale Art
- - 03.07.2016
For the fourth time, Daugavpils Mark Rothko Art Centre is hosting Latgale Art Exhibition bringing together artists of all media and art students from towns and communities throughout the entire region.
This year, the theme of the exhibition was determined by social affairs, the controversial and the understood, the important and the unimportant yet worth to speak about in the language of art – that is why the exhibition carries no title. 1st INTERNATIONAL PHOTOGRAPHY SYMPOSIUM
- - 03.07.2016
In today's world Photography has become one of the most noticeable quality labels in society – imaging is no longer an exclusive right of a specific trade or craft. Visual communication has achieved equality with the traditional leadership of the Spoken and Written Word. This means that responsibility of the written or spoken word also lies with all producers of visual messages and images. A VERTICAL OF MĀRTIŅŠ BUCLERS
- - 03.07.2016
The turn of the 19th and 20th century marked the history by challenges of new ideas and confrontations caused by social changes.
Photography at that time of transformations played a rather hazy yet strong role of an agent. Photography delivered to the world a new experience which led to new knowledges and awakenings.
Mārtiņš Buclers is clearly the most visible personality in the formation of professional photography's quality in Latvia in the early 20th century.
His drive substantially expanded significance of craftsmanship of light reflection capturing and understanding the power of this trade. His enthusiasm clearly affected awareness of the need for regular and systematic learning and training in this area. M. Buclers tried to put it into practice with his own example. He assumed translation of the area-specific literature, Latvianisation of terminology and publishing of handbooks and tips. Baņuta Ancāne. PORTRAITS
- - 10.07.2016
A portrait has always been widely developed and practiced genre of fine art, which can also be considered as one of the most interesting ways to attract the attention of both the viewer and the artist.
Regardless of the power and influence of contemporary art, a portrait through destruction of bridges between styles and genres is widely used today – in graphic art and painting, as well as in photography and video art. Juris Gagainis SHIPS CALL AT DINABURG
- - 07.03.2016
Juris Gagainis
SHIPS CALL AT DINABURG
Juris Gagainis – sophisticated artist with ambition for perfection, blessed with the poetic imagination and in perpetual search into the unknown. Matiass Jansons exhibition SCULPTURES
- - 08.04.2016
Matiass Jansons has graduated from the Department of Sculpture at the Art Academy of Latvia (1999). A member of Latvian Artists Association (since 2003). Graphic Langauge of the 1969S in Latvia exhibition ON THE TRACK OF GREAT LIFE
- - 10.04.2016
the Track of Great Life. Expression of the graphic art of the 1960-ties” displays objects characteristic to that particular time in the history, resembling the once new aesthetic ideals – dominance of the so called linear-geometric style. Ideals changed along with the boom of the economy and the light industry, as well as the exploration of the Universe and the progress of science and technology. 








