{"id":62789,"date":"2025-05-19T16:02:35","date_gmt":"2025-05-19T16:02:35","guid":{"rendered":"https:\/\/rothkomuseum.com\/?p=62789"},"modified":"2026-01-14T08:04:27","modified_gmt":"2026-01-14T08:04:27","slug":"rothko-museum-poised-to-dazzle-with-summer-exhibition-season","status":"publish","type":"post","link":"https:\/\/rothkomuseum.com\/en\/rothko-museum-poised-to-dazzle-with-summer-exhibition-season\/","title":{"rendered":"Rothko Museum Poised to Dazzle with Summer Exhibition Season"},"content":{"rendered":"

At 4 p.m. on Friday, 30 May, the Rothko Museum will unveil its summer exhibition season with six compelling and distinctive projects. From the chromatically layered compositions of Kaspars Zari\u0146\u0161 and the provocative visual inquiries of Sergey Dyomin to the meditative graphic language of Lithuanian artist Vaidotas Janulis, the programme promises a richly nuanced encounter with contemporary artistic expression. Also featured are a commemorative exhibition honouring the Daugavpils artist Leonid Baulin, a tribute to the creative legacy of the renowned Latvian ceramicist Violeta J\u0101tniece, and a luminous glimpse into the heritage of Chinese art and craftsmanship with \u201cOriental Elegance\u201d.<\/strong><\/p>\n

\u201cOrdo Mundi\u201d by Kaspars Zari\u0146\u0161<\/strong><\/p>\n

Kaspars Zari\u0146\u0161 stands out as a singular figure in contemporary Latvian art, with a distinctive ability to integrate at least three major artistic lineages into a cohesive stylistic framework. His practice merges the harmonious principles of Renaissance art, the provocative and often unsettling \u201canti-art\u201d narratives of Modernism, and the compromise-seeking aesthetics of contemporary practice.<\/p>\n

Titled \u201cOrdo Mundi\u201d, Latin for \u201cThe Order of the World\u201d, the exhibition is arranged into three thematic strands: fountains, flowers, and figurative groupings. What may initially appear as a singular field of colour gradually reveals itself as an elaborate layering of nuanced tones and harmonies \u2013 unmistakably the artist\u2019s signature style. According to the project\u2019s curator, art historian Inga \u0160teimane, in his first solo exhibition at the Rothko Museum, Zari\u0146\u0161 employs colour as an expressive lexicon, projecting chromatic narratives onto structural frameworks.<\/p>\n

\u201cI want to paint everything with colour,\u201d <\/em>he declares, challenging the idea that expert colourists struggle with form. Zari\u0146\u0161 vehemently dismisses the notion: \u201cThat\u2019s nonsense. Colour painting does not rule out the representation of depth, nor does form exclude the use of colour. It\u2019s just that less accomplished artists simply fail to harmonise the two.\u201d<\/em><\/p>\n

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\u201cPainting\u201d by Sergey Dyomin<\/strong><\/p>\n

Sergey Dyomin\u2019s exhibition at the Rothko Museum bears the succinct title \u201cPainting\u201d, and that is precisely its message. It reflects the artist\u2019s passion for what he loves and where he excels. As expressed by the project\u2019s curator, Aivars Baranovskis, while the works may spark reflection on themes such as Darwinism, the intertwining of religion and power, or the questionable use of primates in scientific research critiqued through such concepts as justice and truth, Dyomin\u2019s paintings ultimately lead the viewer inward. The enduring truth, he suggests, lies in the ability to recognise oneself \u2013 one\u2019s questions, sensitivities and struggles \u2013 in what is seen. And Dyomin does not shy away from that recognition \u2013 he observes with quiet curiosity what else the viewer will discover in his painting.<\/p>\n

\u201cIn the vast cosmic soup in which we all simmer, we\u2019ve been granted the rare and random privilege of experiencing life. Nothing more, nothing less. Becoming a painter, too, was a matter of chance. At some point, I discovered joy in the simple act of drawing. Later, I couldn\u2019t imagine life without it \u2013 everything else faded into insignificance. There is deep fulfilment in creating something, in the pure pleasure of the process. That is why I still cannot conceive of an existence untouched by the act of painting. Although it has become part of my daily rhythm \u2013 its finest part \u2013 it continues to ignite something within me each time I return to it. It allows me to feel truly alive,\u201d <\/em>the artist says.<\/p>\n

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\u201cBlack Silent Graphics\u201d by Vaidotas Janulis<\/strong><\/p>\n

The experienced Lithuanian artist Vaidotas Janulis returns to the Rothko Museum with a solo exhibition whose graphic narrative is drawn from his work over the past five years. The show invites the viewer on a journey through what the artist calls his \u2018black collection\u2019, unfolding in two distinct yet deeply interconnected parts: envelope assemblages and silkscreen compositions that speak in the language of signs and objects.<\/p>\n

\u201cAs the viewer navigates the exhibition, communication unfolds through the gaze. What do the gaze and the letter have in common? Both perform the same communicative function\u2026 But what if both glances and letters are hidden, sealed within envelopes? You close the envelope, then close your eyes; deep darkness prevails, yet the images remain. The black turns out to be coloured,\u201d <\/em>the artist reflects.<\/p>\n

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The timeless charm of \u201cOriental Elegance\u201d<\/strong><\/p>\n

Produced in collaboration with the Tianjin Museum, China, the exhibition reveals the unique charm of Chinese porcelain, painting, and calligraphy, primarily from the 1200s to the 1800s, and illuminates aspects of Tianjin\u2019s cultural heritage.<\/p>\n

Chinese painting, the quintessence of traditional Chinese art, uses little more than a brush, paper, ink, and natural pigments to depict both the outer world and the inner self. Simultaneously practical and poetic, Chinese calligraphy is a refined art form revealing the expressive beauty of written characters. Meanwhile, porcelain \u2013 the art of clay and fire \u2013 was a closely guarded secret for centuries.<\/p>\n

The display includes classical blue-and-white porcelain vessels, intricately decorated famille-rose porcelain objects and meticulously enamelled porcelain pieces that radiate courtly grandeur, luxurious beauty and time-defying elegance.<\/p>\n

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\u201cThe Art Laboratory\u201d of Leonid Baulin<\/strong><\/p>\n

Marking what would have been the 80th birthday of Leonid Baulin (1945\u20132002), this exhibition celebrates an artist whose creativity was deeply rooted in Daugavpils throughout the 1970s, \u201980s and \u201990s. Drawn from the artist\u2019s family collection, the show features handpicked artworks from Baulin\u2019s extensive legacy, some never exhibited to the public and revealing the breadth of his artistic practice.<\/p>\n

In painting, Baulin emphasised the subtle interplay of form and the fleeting qualities of light. His graphic output is equally striking, notable for its thematic diversity, refined linework and inventive spatial constructions. However, it is in the graphic medium that Baulin\u2019s unique artistic voice shines brightest, characterised by skilful geometric stylisation and poignant lyrical nuance laced with a touch of playful irony.<\/p>\n

\u201cFor every artist, the graphic medium is a creative laboratory where ideas take shape, technical mastery is refined, and new methods are explored. (..) Baulin\u2019s drawings are at once expressive, elegant, and weightless. Through fluid, unforced penwork, he crafted a unique vision of the world, where lines, shapes and empty spaces engage in a dynamic dance, intersecting, converging and swaying in a smooth, perpetual flow,\u201d <\/em>notes art historian Ksenija Rudz\u012bte.<\/p>\n

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\u201cSummer\u201d by Violeta J\u0101tniece<\/strong><\/p>\n

Presented in collaboration with the Latvian National Museum of Art, this exhibition pays tribute to Violeta J\u0101tniece (1939\u20132024), one of the leading figures in Latvian contemporary ceramics during the second half of the twentieth century. A prominent member of the legendary \u0136\u012bpsala Ceramics Studio, where she worked alongside P\u0113teris Martinsons, a legend of Latvian contemporary ceramics, J\u0101tniece produced work that radiates vitality and spirit. Her confident forms and richly textured surfaces \u2013 often in hues of orange, red, and sun\u2011warmed earth \u2013 convey a powerful feminine energy and vitality.<\/p>\n

\u201cMy inspiration lies in the rhythms and textures of nature \u2013 steep landfalls, furrowed fields, or windswept patterns on a sandy shore, their perfect silhouettes and colour schemes. I also draw from architectural constructions, their strong proportions and intrinsic harmony,\u201d she used to say.<\/em><\/p>\n

On view at the Rothko Museum\u2019s Martinsons House, the exhibition draws subtle connections between the legacy of the distinguished Latvian ceramicist P\u0113teris Martinsons (1931\u20132013) and the creative explorations of his colleagues and contemporaries.<\/p>\n

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Exhibition Dates and Opening Night<\/strong><\/p>\n

The Rothko Museum\u2019s summer season runs from 30 May to 24 August 2025. Two exhibitions \u2013 \u201cBlack Silent Graphics\u201d by Vaidotas Janulis and \u201cOrdo Mundi\u201d by Kaspars Zari\u0146\u0161 \u2013 will close a week earlier, on 17 August.<\/p>\n

Admission is free on opening night.<\/p>\n

The celebration will continue at 6 p.m. with an open-air concert by \u201cPalou\u201d in the museum courtyard.<\/strong> Admission to the concert will also be free of charge.<\/p>\n

The Rothko Museum\u2019s summer exhibition season was prepared in partnership with the Latvian National Museum of Art and the Latvian Centre for Contemporary Ceramics, the Tianjin Museum and the Chinese Embassy in Latvia, Zuzeum Art Centre and Bastejs Gallery, with valued support from the State Culture Capital Foundation of Latvia, Daugavpils City Council, \u201cValmiermui\u017ea\u201d, \u201cDevona\u201d and \u201cCaparol\u201d.<\/p>\n

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